So, the post count has slowed to a trickle, surely she's moving on from blogging. Maybe she's become a Real Woman with no time for such things, or perhaps hlogging's just far too last decade.
Never fear, this ain't going to go away. Let's just say there is a lot I'd like to write about at the moment but can't really do so.
Tuesday, 11 November 2014
Monday, 29 September 2014
We plough the fields and scatter
One of the great rituals of rural life in England this past weekend, the Harvest Festival. A church service to give thanks for the year's produce, a display of prize marrows, grapes, and a sheath of corn in the church, and donations to the food bank. And old familiar hymns, like the title of this piece: "We plough the fields and scatter".
It was a gorgeous warm day, and I'd been outside for most of it picking blackberries. Sunlight streamed in through the church windows and the door was open. Afterwards we stood around and had tea and cake while the children explored the gallery. Yes, our church has a gallery. I remember doing the same thing about four decades ago when I was a youngster with a group of kids who are spread out to all corners of the world now.
It's kinda odd to be somewhere so familiar, yet with a crowd of relative strangers. I know most of the people there but not very well as most are fairly recent arrivals and move in different circles form me. Other than the under-12s I was the only one present born into the village. Welcome to a step on the Londonshire property ladder.
I'm going to move back home sometime in the next month or two. Live at my parents place, the house I grew up in, for the first time since my mid 20s. It makes sense on two levels, both financially and to be there for my dad, but it's not where I expected to be. People in their early 40s don't tend to live with their parents, even in these straitened times.
There is however and advantage to it all. If there's a place I'm in tune with, it's the countryside I grew up in. I know its every nuance, its noises, smells and sights. Even in the darkest days of a damp December I am at home in a way I have never been in the city. And as that rare thing in an English village these days, an adult born into the community, I know the history of everyone and everything. If we had a pub, I'd probably have my own chair by the fire.
I don't know what the next year will bring. Whether I'll still be working for my current employer this time next year or whether I'll be pursuing the startup idea I first developed about five years ago. Either way I need a bit of stability, and despite a bit of commuting for my current job a move back home will give me that.
It was a gorgeous warm day, and I'd been outside for most of it picking blackberries. Sunlight streamed in through the church windows and the door was open. Afterwards we stood around and had tea and cake while the children explored the gallery. Yes, our church has a gallery. I remember doing the same thing about four decades ago when I was a youngster with a group of kids who are spread out to all corners of the world now.
It's kinda odd to be somewhere so familiar, yet with a crowd of relative strangers. I know most of the people there but not very well as most are fairly recent arrivals and move in different circles form me. Other than the under-12s I was the only one present born into the village. Welcome to a step on the Londonshire property ladder.
I'm going to move back home sometime in the next month or two. Live at my parents place, the house I grew up in, for the first time since my mid 20s. It makes sense on two levels, both financially and to be there for my dad, but it's not where I expected to be. People in their early 40s don't tend to live with their parents, even in these straitened times.
There is however and advantage to it all. If there's a place I'm in tune with, it's the countryside I grew up in. I know its every nuance, its noises, smells and sights. Even in the darkest days of a damp December I am at home in a way I have never been in the city. And as that rare thing in an English village these days, an adult born into the community, I know the history of everyone and everything. If we had a pub, I'd probably have my own chair by the fire.
I don't know what the next year will bring. Whether I'll still be working for my current employer this time next year or whether I'll be pursuing the startup idea I first developed about five years ago. Either way I need a bit of stability, and despite a bit of commuting for my current job a move back home will give me that.
Labels:
family,
growing up
Friday, 5 September 2014
Just another day
Tuesday came and went. Anther day, just like any other. 365 of them since going full-time.
To be honest, it's not been the best of years. We lost my mother, work turned very sour, and my wife and I have gone our separate ways. But in one respect it's gone exactly to plan. No more of that sorrow at not being right.
And that at least is worth having.
To be honest, it's not been the best of years. We lost my mother, work turned very sour, and my wife and I have gone our separate ways. But in one respect it's gone exactly to plan. No more of that sorrow at not being right.
And that at least is worth having.
Labels:
transitioning
Wednesday, 27 August 2014
What is victim blaming
The news here in the UK is full of a child abuse scandal, this time in Rotherham. A nasty case involving the grooming of a staggering number of young people that was ignored by police and social services for a variety of reasons. Heads have rolled in high places, and I hope that dusty case files will be pulled out of storage and abusers will go down for a very long time. If they can chase up 1960s celebrities in their dotage they can chase up a gang of Asians in a Northern town.
This morning on the BBC's flagship radio news programme they interviewed one of the victims. Now in her mid twenties, she gave an eloquent and forthright description of the abuse and of the complete lack of action from the authorities when they were alerted.
The interviewer asked her if there was anything she could have done to prevent the abuse. This prompted a storm of criticism on social media accusing him of victim blaming.
I have to say, in this case I didn't agree with them.
There will be enough victim blamers out there, that is certain. She was a whore, she allowed it to happen, she dressed provocatively, she allowed herself to be plied with alcohol, we've heard it all before and it's particularly reprehensible.
Victim blamer arguments need addressing, and closing down. And the best way to do that is to ask the question of someone capable of answering it. What I heard was a robust interviewee being given exactly that opportunity, and a veteran journalist doing his job of dealing with the issue head on. The result was a particularly moving and effective piece of radio that should leave listeners in no doubt as to the magnitude of the crime or the seriousness of the lack of official response.
It is important to tackle victim blaming wherever it appears. It does no victim any favours though to cry wolf when somebody else is very effectively dealing with the issue by giving a victim the opportunity to speak for themself.
This morning on the BBC's flagship radio news programme they interviewed one of the victims. Now in her mid twenties, she gave an eloquent and forthright description of the abuse and of the complete lack of action from the authorities when they were alerted.
The interviewer asked her if there was anything she could have done to prevent the abuse. This prompted a storm of criticism on social media accusing him of victim blaming.
I have to say, in this case I didn't agree with them.
There will be enough victim blamers out there, that is certain. She was a whore, she allowed it to happen, she dressed provocatively, she allowed herself to be plied with alcohol, we've heard it all before and it's particularly reprehensible.
Victim blamer arguments need addressing, and closing down. And the best way to do that is to ask the question of someone capable of answering it. What I heard was a robust interviewee being given exactly that opportunity, and a veteran journalist doing his job of dealing with the issue head on. The result was a particularly moving and effective piece of radio that should leave listeners in no doubt as to the magnitude of the crime or the seriousness of the lack of official response.
It is important to tackle victim blaming wherever it appears. It does no victim any favours though to cry wolf when somebody else is very effectively dealing with the issue by giving a victim the opportunity to speak for themself.
Labels:
battling idiocy,
rape
Friday, 22 August 2014
Motivation
I want to go back to bed. A general statement, as I'm typing this sitting in bed having had a lazy breakfast. But it's true, right now I'd prefer to spend my day in bed rather than go into work and do stuff with bits of software.
Truth is, I've lost my mojo over the last year. The combination of a series of stressful events and the side-effects of hefty antidepressants. I have the feeling of needing a month off, something that is sadly not practical.
You might think transition would have caused this, but surprisingly that's the part that's worked. Despite everything I have none of the crushing regret I had as the scruffy bloke, of not being female. Yes. Transition works, at least in that sense.
As has been the case in the past, my mind seeks a release in engineering. Making stuff. I wrote a post about dressmaking a while back but that's just one of the avenues at my disposal. Which is in itself dangerous, as a former dotcommer I know the perils of startup business so idly working out how I'd conquer the Internet of Things or spot financial trends through news corpus analysis rather than pursuing an unexciting career in publishing is folly.
So despite all that I'm not going to stay in bed. Get up, face the day. It's a Bank Holiday weekend coming up here in the UK, so maybe three days away will help.
Truth is, I've lost my mojo over the last year. The combination of a series of stressful events and the side-effects of hefty antidepressants. I have the feeling of needing a month off, something that is sadly not practical.
You might think transition would have caused this, but surprisingly that's the part that's worked. Despite everything I have none of the crushing regret I had as the scruffy bloke, of not being female. Yes. Transition works, at least in that sense.
As has been the case in the past, my mind seeks a release in engineering. Making stuff. I wrote a post about dressmaking a while back but that's just one of the avenues at my disposal. Which is in itself dangerous, as a former dotcommer I know the perils of startup business so idly working out how I'd conquer the Internet of Things or spot financial trends through news corpus analysis rather than pursuing an unexciting career in publishing is folly.
So despite all that I'm not going to stay in bed. Get up, face the day. It's a Bank Holiday weekend coming up here in the UK, so maybe three days away will help.
Labels:
depression,
work
Monday, 4 August 2014
I'm sure that everybody knows...
I'm sure that everybody knows how much my body hates me
It lets me down most every time and makes me rash and hasty
It lets me down most every time and makes me rash and hasty
When I was an earnest young sound and light engineer, that Billy Bragg song was a standard of the student cover bands. Probably because Billy does not have the voice of an angel so is easy to copy, and his politics fitted very well in the left-wing ideology of an early '90s student union. You may recognise the red-haired backing singer.
For some reason the song was my earworm the other day, driving up to a east Midlands town to see some friends. Not just any friends, the lesbian couple I am helping to start a family. Too Much Information, or what!
Plotting a traffic free route round the hell of Northampton, going up the A5. An 18th century superhighway laid out for the fastest stagecoaches of the day by Thomas Telford, and now almost empty since the motorway has taken all its traffic. Oddly parched July vegetation against a summer rainstorm. A favourite road of mine, all fast sweeping bends.
It's odd, seemingly being a free agent. Three months since my wife and I moved apart. Still good relations between us and I wish she'd come back, but it isn't going to happen.
A lot of regrets, but what can you do in a no-win situation? I am very glad we tried, I think it has had the odd effect of making our current relationship much stronger than it might be.
So, off on holiday with my friend R. We're going to sit on a beach facing the North Sea for a week and do nothing. Nada. Sod all. Which is a lot nicer than you might imagine, we've picked a very nice North Sea beach. We've both had a very hard time of late, her with family and me with work, this is essential recuperation.
Where now then? When we return from Norfolk life will go on. Same stresses at work, still on my own. Part of me would jack it all in and move on. Move out of the flat, move in with my dad and settle into the life of a rural freelance geek. As any former dotcommer does I have a pile of startup ideas in my slightly specialist line, I certainly wouldn't be idle.
But that would be failure. One doesn't deal with a hard time by running away, one deals with it by engagement. So on to the next step in the ghastly charade, until we reach the level at which it all has to be taken seriously. It comes back to being a dotcommer, forged in the hard world of collapsing startups I'm uniquely unafraid of adversity. Whatever is thrown at me, I've seen worse.
Which isn't the best note for a blog post, but there you go. Back to Billy Bragg again for a final word:
But it all amounts to nothing if together we don't stand
Monday, 28 July 2014
A tale of two celebrations
A long hot day in the park on Saturday, this time promoting the Dawn Skinner Fund at Brighton Trans Pride. A small park right on the beach, and perfect weather for it. Met a lot of people, was very pleased to bump into Lucy, got our message in front of a lot of eyeballs. A successful day for the Dawn Fund.
This was our second outing in as many weeks, having previously been up to Manchester for Sparkle and its mirror FtM event, Buff. There's an interesting comparison to be made between the two, one that tells you something about the differences in LGBT culture across the UK and the uneasy relationship our community has with its own diversity.
Manchester is a much more in-your-face city than Brighton, and this is reflected in its gay quarter. Wandering along the main drag - is that an appropriate word in this context? - in Kemptown I had the feeling of a slightly bohemian British small town, while a walk along Canal Street in Manchester feels more in common with Las Vegas. So the cities' respective trans pride celebrations reflect these differences, Sparkle is big, brash, and colourful while Brighton Trans Pride was much more serious, political, and dare I say it, conventional. There were none of the drag queens, LGs or French Maids in Brighton that you might see at Sparkle, instead the field was full of earnest young queer activists. In that I think Brighton did much better on the diversity front, it was very encouraging to see a healthy mix of people with MtF, FtM, genderqueer and other identities together in a community that is normally so segmented.
It's interesting to watch the reactions among the more conventional parts of the trans community when you mention you are going to Sparkle. You'll see plenty of uneasiness, and in some cases outright internalised transphobia as they struggle with the idea of proximity to the outrageously dressed wing. In some people I sense there are some uncomfortable reminders of earlier points in their gestation as a trans person, in others I'm afraid I start to see just a little bit of intolerance.
It's a shame, I see the more out-there parts of Sparkle as a pageant, an exercise in street theatre. Sit down on the bench next to the Alan Turing statue, and enjoy the show! If you do that, you'll notice something; unseen among the actors half the crowd are very conventional. Sackville Park has become an extended closet for the day, and holds no danger of outing for anyone.
There is plenty of room for events to cater for the different ends of our community and I'm very glad to see Brighton Pride survive to a second year. I hope the Dawn Fund will be back next year.
I still worry slightly though that our community's Pride celebrations are at the polar opposites in style. We may not all follow identical paths, but we travel the same road.
This was our second outing in as many weeks, having previously been up to Manchester for Sparkle and its mirror FtM event, Buff. There's an interesting comparison to be made between the two, one that tells you something about the differences in LGBT culture across the UK and the uneasy relationship our community has with its own diversity.
Manchester is a much more in-your-face city than Brighton, and this is reflected in its gay quarter. Wandering along the main drag - is that an appropriate word in this context? - in Kemptown I had the feeling of a slightly bohemian British small town, while a walk along Canal Street in Manchester feels more in common with Las Vegas. So the cities' respective trans pride celebrations reflect these differences, Sparkle is big, brash, and colourful while Brighton Trans Pride was much more serious, political, and dare I say it, conventional. There were none of the drag queens, LGs or French Maids in Brighton that you might see at Sparkle, instead the field was full of earnest young queer activists. In that I think Brighton did much better on the diversity front, it was very encouraging to see a healthy mix of people with MtF, FtM, genderqueer and other identities together in a community that is normally so segmented.
It's interesting to watch the reactions among the more conventional parts of the trans community when you mention you are going to Sparkle. You'll see plenty of uneasiness, and in some cases outright internalised transphobia as they struggle with the idea of proximity to the outrageously dressed wing. In some people I sense there are some uncomfortable reminders of earlier points in their gestation as a trans person, in others I'm afraid I start to see just a little bit of intolerance.
It's a shame, I see the more out-there parts of Sparkle as a pageant, an exercise in street theatre. Sit down on the bench next to the Alan Turing statue, and enjoy the show! If you do that, you'll notice something; unseen among the actors half the crowd are very conventional. Sackville Park has become an extended closet for the day, and holds no danger of outing for anyone.
There is plenty of room for events to cater for the different ends of our community and I'm very glad to see Brighton Pride survive to a second year. I hope the Dawn Fund will be back next year.
I still worry slightly though that our community's Pride celebrations are at the polar opposites in style. We may not all follow identical paths, but we travel the same road.
Labels:
Dawn Skinner Fund,
lgbt,
sparkle,
Trans Pride Brighton
Wednesday, 23 July 2014
The things you do in a good cause
Last year my friend R and I went off to Sackville Gardens in Manchester for the Sparkle trans pride celebration, to promote the Dawn Skinner Fund. We had a gazebo, chairs and table, and a load of leaflets and banners.
Though a lot of people stopped by and we gained a lot of support, we didn't get much publicity.
Sparkle you see is a bit "out there". The whole spectrum of our community is out in the sun, and some of them wear costumes that put a couple of jeans-wearing charity trustees firmly in the shade. Nobody's going to take a picture of us when there are more interesting sights aplenty.
Clearly a publicity stunt was called for.
The trouble is, what? Some kind of costume, but nothing too out there. No bum cheeks on display, nothing borderline-inappropriate. Historical perhaps, Dawn was a fan of historical recreation, she used to be in the Sealed Knot. As an end-of-life organisation we briefly considered old-fashioned nurses uniforms, but given that the NHS would be there that was probably inappropriate.
So in the end I broke out the sewing machine and put together the barmiest outfit I've ever worn, an 1860s style crinoline day dress, pagoda sleeves and all.
It's a surprisingly easy task, making a crinoline dress. I had a bit of help from Hathaways of Haworth, but didn't follow their design exactly. Once you've found a hooped underskirt of the type sold for brides, the skirt is a simple cylinder of fabric to the outer hoop circumference, then gathered at the top round a waist band. In my case I made an 18 foot long sash, and once the skirt was attached to its centre the two trailing ends made a large bow to fasten it. The bodice was adapted from my basic shell dress pattern with a neckline copied from a contemporary photograph, and with lacing replacing the zip I'd use on a modern garment.
The sleeves were a little more challenging. Pagoda sleeves in the 1860s style are quite short, but very wide indeed. The pattern looks something like a crescent moon with a third removed from each end, and was something I produced by careful calculation of the two radiuses followed by plotting on tracing paper.
To be authentic I should wear it with a fully laced corset underneath. Victorian corsets were very tight indeed, I'd have no chance at all of fitting into one without the lifetime of waist training they had. I considered a modern corset but in the end decided a Manchester park in July would be too hot. Since I didn't follow Hathaways suggestion of using a corset as the base for my bodice the only shaping would come from the bodice lacing. So authenticity was sacrificed in the name of comfort. Fortunately I'm not too lardy and it didn't look too wrong.
The handy thing about a dress with such a barmy amount of fabric is you can change into it in a Manchester park as an event sets up around you. It makes its own tent. So off on a day perambulating with a Dawn Fund placard.
Surprisingly it was very comfortable to wear. I guess it is made exactly to my measurements, so it should. And under such a voluminous skirt there is plenty of ventilation, so it wasn't hot either. Easy to walk in, and you always have a two foot gap around you in a crowd.
Most importantly though it did the job it was made for. Very noticeable, plenty of exposure for the Dawn Fund brand. Which while I'm on the subject is the only way you'll get to see it. Go to our Twitter feed for a few pictures, and while you're there give us a follow if you're a Twitter user.
So now I have a crinoline in my wardrobe. As Dawn would have said: You wouldn't wear it to Tesco. What on earth am I to do with it!
Though a lot of people stopped by and we gained a lot of support, we didn't get much publicity.
Sparkle you see is a bit "out there". The whole spectrum of our community is out in the sun, and some of them wear costumes that put a couple of jeans-wearing charity trustees firmly in the shade. Nobody's going to take a picture of us when there are more interesting sights aplenty.
Clearly a publicity stunt was called for.
The trouble is, what? Some kind of costume, but nothing too out there. No bum cheeks on display, nothing borderline-inappropriate. Historical perhaps, Dawn was a fan of historical recreation, she used to be in the Sealed Knot. As an end-of-life organisation we briefly considered old-fashioned nurses uniforms, but given that the NHS would be there that was probably inappropriate.
So in the end I broke out the sewing machine and put together the barmiest outfit I've ever worn, an 1860s style crinoline day dress, pagoda sleeves and all.
It's a surprisingly easy task, making a crinoline dress. I had a bit of help from Hathaways of Haworth, but didn't follow their design exactly. Once you've found a hooped underskirt of the type sold for brides, the skirt is a simple cylinder of fabric to the outer hoop circumference, then gathered at the top round a waist band. In my case I made an 18 foot long sash, and once the skirt was attached to its centre the two trailing ends made a large bow to fasten it. The bodice was adapted from my basic shell dress pattern with a neckline copied from a contemporary photograph, and with lacing replacing the zip I'd use on a modern garment.
The sleeves were a little more challenging. Pagoda sleeves in the 1860s style are quite short, but very wide indeed. The pattern looks something like a crescent moon with a third removed from each end, and was something I produced by careful calculation of the two radiuses followed by plotting on tracing paper.
To be authentic I should wear it with a fully laced corset underneath. Victorian corsets were very tight indeed, I'd have no chance at all of fitting into one without the lifetime of waist training they had. I considered a modern corset but in the end decided a Manchester park in July would be too hot. Since I didn't follow Hathaways suggestion of using a corset as the base for my bodice the only shaping would come from the bodice lacing. So authenticity was sacrificed in the name of comfort. Fortunately I'm not too lardy and it didn't look too wrong.
The handy thing about a dress with such a barmy amount of fabric is you can change into it in a Manchester park as an event sets up around you. It makes its own tent. So off on a day perambulating with a Dawn Fund placard.
Surprisingly it was very comfortable to wear. I guess it is made exactly to my measurements, so it should. And under such a voluminous skirt there is plenty of ventilation, so it wasn't hot either. Easy to walk in, and you always have a two foot gap around you in a crowd.
Most importantly though it did the job it was made for. Very noticeable, plenty of exposure for the Dawn Fund brand. Which while I'm on the subject is the only way you'll get to see it. Go to our Twitter feed for a few pictures, and while you're there give us a follow if you're a Twitter user.
So now I have a crinoline in my wardrobe. As Dawn would have said: You wouldn't wear it to Tesco. What on earth am I to do with it!
Labels:
Dawn Skinner Fund,
dressmaking,
sparkle
Tuesday, 24 June 2014
Riding the little trains
Transition is a funny business. You get on with your life, but at risk of stating the bleedin' obvious it's not the same as it was before. Sure, you go to work, do your shopping and everything, but your boundaries are a lot closer. It's a whole new set of social conventions to learn, so you watch your back, there are fresh dangers you didn't have to worry about before.
Take my weekend for instance. A yearly outing for the Ixion motorcycling mailing list, for reasons too complex to explain we hire a train on the Tal-y-llyn railway in Wales and have a barbecue. A chance to catch up with a group of friends I've known for a very long time, and in a beautiful location. I even had a chance to use a bit of my rather halting Welsh, though I couldn't find anyone who'd sell me a bara brith (best described as the Welsh take on fruit cake) to take back for my colleagues.
On the whole, not a lot to worry about. Among friends, and rural Wales is hardly threatening. But it was a first for me since transition, staying on a busy campsite full of families on holiday. Using communal washing facilities, being rather visible among a field of tents. What if somebody takes exception to me? One's imagination runs away with the thought of angry campers.
In practice of course I was fine. I have no illusions about stealth but I don't present or behave in an unusual manner, and wrapped in a big stripey sundress on one of the hottest days of the year I found myself fitting right in. Chatting about the campsite badger - has a habit of raiding people's food - and even subject to a rather amusing conversation about the obsessions of menfolk for machinery. To my great surprise, I fitted in among complete strangers on holiday.
OK, so my worries were groundless. But that doesn't make them any less valid, we all know there are people who get into trouble not of their own making. But as I drove home through the beautiful mountains of mid Wales I did come away feeling I'd extended my boundaries slightly. Which is yet another small step along the path of transition.
Take my weekend for instance. A yearly outing for the Ixion motorcycling mailing list, for reasons too complex to explain we hire a train on the Tal-y-llyn railway in Wales and have a barbecue. A chance to catch up with a group of friends I've known for a very long time, and in a beautiful location. I even had a chance to use a bit of my rather halting Welsh, though I couldn't find anyone who'd sell me a bara brith (best described as the Welsh take on fruit cake) to take back for my colleagues.
On the whole, not a lot to worry about. Among friends, and rural Wales is hardly threatening. But it was a first for me since transition, staying on a busy campsite full of families on holiday. Using communal washing facilities, being rather visible among a field of tents. What if somebody takes exception to me? One's imagination runs away with the thought of angry campers.
In practice of course I was fine. I have no illusions about stealth but I don't present or behave in an unusual manner, and wrapped in a big stripey sundress on one of the hottest days of the year I found myself fitting right in. Chatting about the campsite badger - has a habit of raiding people's food - and even subject to a rather amusing conversation about the obsessions of menfolk for machinery. To my great surprise, I fitted in among complete strangers on holiday.
OK, so my worries were groundless. But that doesn't make them any less valid, we all know there are people who get into trouble not of their own making. But as I drove home through the beautiful mountains of mid Wales I did come away feeling I'd extended my boundaries slightly. Which is yet another small step along the path of transition.
Labels:
transitioning
Monday, 16 June 2014
Give an engineer a machine tool
I never expected to find myself in a difficult position post - transition at this particular employer. I'd better not name them, but I work for a large publishing company whose atmosphere and ethos as I experienced it over the three years before I transitioned gave me confidence that I could so it without worry. As I wrote a few months ago though it hasn't turned out like that.
It's called constructive dismissal. Force a person to leave by undermining and marginalising them. And in my case it started a few weeks after transition and it's following the textbook. Even to the point that today I will have a new colleague who I find has been hired to do about half of the job I thought I had before I was marginalised out of it.
It ain't going to work. With twenty years in tech startups behind me I've seen far worse and I've stopped running. Without going into too much detail, I will not go down without a fight. If the legal bill I can cost then weren't enough my job involves the mechanics of internet publicity, and I honestly can not tell the world that they are a good place for an LGBT employee to work.
It's the stress and demotivation though that's the killer. Which brings me to the title of this piece. The machine tool in question isn't a lathe or a milling machine, it's my sewing machine. In engineering terms as a computer controlled device whose needle can move side to side as well as moving the fabric, it's a 2-axis CNC machine tool.
So I've gone back to making stuff as a cathartic. In this case I'm doing it from first principles, making my own patterns to my own designs. In the past few months I've made several pieces and I have no shortage of future ideas. I'm still not good at doing zips though.
Making things has always been my release. Software, electronics, furniture, you name it. And that I'm doing it so much now is a symptom of my work problems, until last autumn my needs were fulfilled by creating products. If you looked up my employer in the app store you'd find their most downloaded product is one they simply wouldn't have had I not come up with the idea, created a prototype, and bought it to market.
I guess their loss is my wardrobe's gain.
It's called constructive dismissal. Force a person to leave by undermining and marginalising them. And in my case it started a few weeks after transition and it's following the textbook. Even to the point that today I will have a new colleague who I find has been hired to do about half of the job I thought I had before I was marginalised out of it.
It ain't going to work. With twenty years in tech startups behind me I've seen far worse and I've stopped running. Without going into too much detail, I will not go down without a fight. If the legal bill I can cost then weren't enough my job involves the mechanics of internet publicity, and I honestly can not tell the world that they are a good place for an LGBT employee to work.
It's the stress and demotivation though that's the killer. Which brings me to the title of this piece. The machine tool in question isn't a lathe or a milling machine, it's my sewing machine. In engineering terms as a computer controlled device whose needle can move side to side as well as moving the fabric, it's a 2-axis CNC machine tool.
So I've gone back to making stuff as a cathartic. In this case I'm doing it from first principles, making my own patterns to my own designs. In the past few months I've made several pieces and I have no shortage of future ideas. I'm still not good at doing zips though.
Making things has always been my release. Software, electronics, furniture, you name it. And that I'm doing it so much now is a symptom of my work problems, until last autumn my needs were fulfilled by creating products. If you looked up my employer in the app store you'd find their most downloaded product is one they simply wouldn't have had I not come up with the idea, created a prototype, and bought it to market.
I guess their loss is my wardrobe's gain.
Labels:
dressmaking,
work
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